A few months back I sat in a coffee shop with my friend Masahiro Sugano, writer and director of Second Moon , and watched him layout the storyboard for his next feature film idea. The plot followed a Korean-American kid, the child of immigrants, who wakes up one day and shoots his parents dead in their kitchen. He has decided, rationally, that the only way to free himself from the illusions of the world is to confront each of them by killing someone who represents them. He starts with his parents and works his way through local authority symbols, finally liberating his girlfriend, who is a street girl, from her rough set of manhandlers, and then the two of them ride West, out of town, on the lam, like an Asian Bonnie and Clyde...